Sunday, October 16, 2016

Woman killed by drunk driver when helping daughter who ran out of gas on Hwy 59 - KHOU.com

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HOUSTON- A woman was hit and killed while helping her step-daughter and grandchildren whose car had stalled in southwest Houston Saturday evening. 


According to the Houston Police Department, the 62-year-old woman was fatally hit by a drunk driver, identified as 45-year-old Stephen Alan Cook.


The woman's step-daughter and grandchildren had apparently run out of gas on US 59 and had called the woman for help.


Police said the victim's step-daughter, was driving a Nissan on the Southwest Freeway with her two children when they ran out of gas and moved into the emergency lane. 


Around 8 p.m., while the women were putting gas in the vehicle, Cook clipped the front end of the woman's van with his Mercury Grand Marqe and slammed into the back end of the Nissan.





HPD said this pushed the van into the Nissan, placing the step-mom in between the two cars.


The step-daughter and her 15-year-old daughter were both struck, but her 9-year-old son managed to jump out of the way. 


The entire family was transported to the hospital, where the 62-year-old woman died. 


The woman's daughter is in serious condition, but is expected to survive. The 15-year-old had minor injuries and the 9-year-old was not injured. 


Cook was treated for minor injuries and arrested. He faces intoxication manslaughter charges and two counts of intoxication assault. 


(© 2016 KHOU)



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Donald Trump Won't Stop Attacking Paul Ryan - Huffington Post

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Republican presidential nominee Donald Trump continued his feud with House Speaker Paul Ryan (R-Wis.) on Sunday, after Ryan distanced himself from Trump in response to the bombshell recording of Trump boasting about sexual assault.


In a series of tweets, Trump called Ryan “a man who doesn’t know how to win,” referring to his loss in 2012, when he was the GOP’s vice presidential nominee, and said that the House speaker “does zilch” to help him defeat Democratic opponent Hillary Clinton.




Trump has regularly launched attacks against Ryan since The Washington Post published a 2005 video of the nominee bragging about sexual assault. Subsequently, multiple women have come forward alleging Trump sexually assaulted or harassed them.


In response to the video, Ryan disinvited Trump from a scheduled joint appearance in Wisconsin on Oct. 8. On Monday, he announced that he would no longer defend Trump, after repeatedly condemning his offensive remarks while nonetheless standing by him as the nominee. Ryan told fellow Republicans that he wants to instead focus on maintaining GOP control of the House, fearing the presidential nominee’s effect on competitive House seats.


Trump fired back, calling Ryan “very weak and ineffective” and insisting that he didn’t “care about his support.”


Ryan has largely been silent on Trump since distancing himself.


Trump is scheduled to campaign in Wisconsin on Monday. Ryan will not attend that event; instead, he is scheduled to speak at a GOP fundraiser in Texas.


Editor’s note: Donald Trump regularly incites political violence and is a serial liar, rampant xenophobe, racist, misogynist and birther who has repeatedly pledged to ban all Muslims — 1.6 billion members of an entire religion — from entering the U.S.

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Cole Swindell Celebrates the Hit Song That's Become His 'Answered Prayer' - PEOPLE.com

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In the first months after his father’s shocking accidental death in 2013, Cole Swindell tried to channel his grief into writing a song.


“It was all right,” Swindell, 33, recalls, but “I knew that wasn’t how I wanted the song to be” – and so he gave up.


Then, in 2014, songwriting partner Ashley Gorley came to him with a title that Swindell knew immediately was “an answered prayer.”


On Thursday, the duo celebrated the extraordinary success of “You Should Be Here.” Since its February release, the single has resonated the pain of loss to millions, turning it into a platinum-selling No. 1. It also has gone on to become a career-defining song for a singer previously known for feel-good and love-gone-wrong music.


“It gives me chills thinking [Ashley] had the title exactly at the right time when I was ready, and I think that’s why we wrote it the way we did,” Swindell said before their No. 1 party at a downtown Nashville honkytonk.


As it turns out, Gorley – who has 27 No. 1 songs to his credit – was thinking about an entirely different kind of separation when he brought the title to Swindell. Gorley was on the road with the singer, who was opening for Luke Bryan, and the two were working on songs during Swindell’s down time. Before a stadium concert in Foxboro, Massachusetts, Gorley took a cell-phone panorama shot of the crowd and texted it to his daughter with the caption, “You should be here.”


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“Obviously that’s what you look for as a songwriter – just a random phrase here and there – to get lucky,” Gorley recalled.


The moment Swindell heard the words, he thought of his dad. William Keith Swindell had died, just weeks after his youngest son inked his record deal, when a truck he was working on at his Glennville, Georgia, home fell and crushed him.


“Please,” Swindell begged Gorley, “let me write that with you.”


“That’s why I brought it up,” Gorley replied.


It quickly become apparent to the two that this was one of those songs that would almost write itself. “Some songs are hard work, and you try all these angles,” Gorley said. “That one we were just trying to catch in the air before it got away.”



“This is so special,” Swindell recalled thinking. “Just don’t mess it up.”


In fact, the only major decision they made was to keep the lyrics personal to Swindell’s loss. Somehow, though, the words have become universal to listeners’ ears. Now, when Swindell performs the song, he’s accustomed to looking out and seeing eyes brimming with tears and glowing cell phones raised in mournful solidarity.


“Songs like that are why I love what I do,” Swindell said. “It is about having fun, and I love what I do on stage, but … as powerful as ‘Ain’t Worth the Whiskey’ and some of the others are, there’s nothing like the bond you feel [during ‘You Should Be Here’]. You’re seeing someone in the third row with tears, and all I’m thinking about is, who are they missing? … It’s crazy to think that it’s that powerful. It’s helped me more than I think I’ve ever wanted to help anybody else, because I know I’m not alone.”


Now that he’s had “a taste of how really powerful music is,” Swindell added, “I think that’s what I’m here to do.”


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Keith Urban charms at Smoothie King Center in New Orleans ... - NOLA.com

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Just minutes after kicking off the New Orleans night of his latest tour, Keith Urban made a promise to the thousands gathered at the Smoothie King Center to see him Oct. 15.


"It's a Saturday night, and it's like a full moon out there," he said. "This is going to be one night to remember, I'm sure."


It was indeed, especially in light of his previous local performance at the New Orleans Jazz and Heritage Festival in 2015, which was cut short when severe lightning forced a quick finish to his festival debut set. His 2016 return, then, would not be truncated.


"We made it, and we're not playing outside for once," Urban laughed, and, with the swagger that befits his status as a rock star babe, the Australian-born musician continued on to charm his way through a night packed with searing guitar and a bit of country twang. 


Leading the night with "Gone Tomorrow" from Urban's ninth studio album that lends the tour its name, "ripCORD," he and his team of four bandmates offered up a powerhouse set fueled by high energy, laughter and fun. It's clear these guys like working together, and Urban likes working for his fans. 



Wearing a pair of tight jeans and a black v-neck t-shirt, Urban stood at the center of a stage dressed primarily by various lights, saving any high-production tricks for his own guitar work instead. He often addressed his audience directly, veering off the well-trod path of leading cheers to instead invite a pair of women up from the front row. They were introduced to the audience, and the entire arena became the background for their selfie.


At other points, Urban declared his guitar had gotten "too heavy," so he pulled it off, signed it and handed it to a fan. And, when the show had finally come to a close, Urban was the last one to leave the stage as he spent several minutes high-fiving fans and signing autographs even after the house lights had come up and folks headed for the exits. 


They were genuine moments of interaction, all the more heartfelt because Urban took time to make them happen within the kind of massive production he fronts. 


"OK, here's the deal. ... If you wanna sing, if you wanna dance, and if you wanna stand on a chair and completely annoy the people around you, this is your night," he said. 


Urban led the band in "Somewhere in My Car" before singing a verse or two of "Louisiana Saturday Night." It was just one of several covers for the night, which ranged from Bob Marley to John Mellencamp and even, briefly, Eminem. 


The band took on "Gettin' in the Way," "You Gonna Fly," "Blue Ain't Your Color," "Raise 'Em Up," "Wasted Time" and "Days Go By," leaving Urban to occasionally slip into meaty solos, which he'd finish by hoisting his guitar into the air as if to say, "No, don't thank me, thank this thing." 


Urban's band did get a little help, though. He invited Maren Morris for a duet in the show's first half, and he brought out Brett Eldredge for a take on "Somebody Like You," which they performed at a miniature stage behind the sound booth. This secondary stage was outfitted with stationery cameras, which allowed the two singers to take turns as goofballs when both sets of their blue eyes loomed large over the screens back at center stage while they blinked at the big crowd. 


Introducing bass player Jerry Flowers, Keith Urban recalled a much earlier show in New Orleans.


"We used to be in The Ranch together, and we played down here a long time ago at the Howlin' Wolf," he said. "About 12 people showed up. This is a marked improvement, and I appreciate it." 






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Chris Stapleton to Be Honored With ASCAP Vanguard Award - Taste of Country

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chris-stapleton-ascap-vanguard-awardRick Diamond, Getty Images

Chris Stapleton will be honored with the ASCAP Vanguard Award at the 2016 ASCAP Country Music Awards, which take place at Ryman Auditorium on Oct. 31.

“Every so often, someone comes along with songwriting so masterful, a voice so powerful and a presence so captivating, that it stops you in your tracks,” says ASCAP President Paul Williams in a press release. “Chris Stapleton does just that. By distilling Southern sounds and themes into potent songs, he has brought raw soul back to the country charts, and established himself as one of the most respected and original artists in American music today. We are thrilled to honor him with the ASCAP Vanguard Award.”


The Vanguard Award “recognizes the impact of outstanding ASCAP members on musical genres that will help shape the future of American music.” Previous recipients include Walk the Moon, St. Vincent, fun., the Civil Wars, Third Day, Band of Horses and Sara Bareilles, among others.


In addition to Stapleton, the 54th annual ASCAP Country Music Awards will recognize Ricky Skaggs with the ASCAP Founders Award, as well as reveal the ASCAP Country Music Songwriter of the Year, Song of the Year and Publisher of the Year. Live performances of the top five most performed songs by the award-winning songwriters and the artists who recorded them will also be featured.


Stapleton’s success continues to skyrocket within the country genre. The singer-songwriter has co-written six No. 1 hits and has gone on to success of his own as a solo artist with his critically acclaimed debut album, Traveller.


Watch Chris Stapleton’s Most Iconic Moments


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See Pictures of Chris Stapleton + Brandy Clark Live




Next: See a List of 2016 CMA Nominees


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'Make America Rape Again': A libertarian candidate's argument against 'rape culture' - Washington Post

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Nick Bata ignited a firestorm when he made a “Make America Rape Again” comment on his friend’s Facebook page. (Photo courtesy of Nick Bata.)

Nick Bata concedes that his “Make America Rape Again” comment could have been executed a little better, but he wants to clear a few things up.


He’s not a Donald Trump supporter. (Or a Hillary Clinton supporter, for that matter. He’s running as a Libertarian for North Dakota insurance commissioner.)


His campaign slogan is not “Make America Rape Again.” He made a punny joke.


And although he has qualms about what he calls an out-of-control obsession with rape culture, he is not, and has never been, pro-rape.


“This is just an online discussion that got a little bit wacky, its all academic,” he said in a Facebook message to The Washington Post. He declined to be interviewed by telephone, saying his words had been mischaracterized by other news organizations. “It’s an online argument. Everyone has been apart of one of these and most of the times they turn out ugly, just like this one did.”


The conversation started on Sept. 30, when Bata’s (now former) Facebook friend Jess Roscoe posted a Buzzfeed article about a woman’s explanation of the term “consent.”






The Buzzfeed story was about a Twitter thread that compared giving consent to giving someone $5. There’s only one real way to give someone $5, the argument goes; everything else is stealing.


Jess Roscoe (Photo courtesy of Jess Roscoe.)Jess Roscoe (Photo courtesy of Jess Roscoe.)

Roscoe thought it was a “very cool way to explain consent to people who might not understand it or understand why it’s such a big issue now…It was just a casual post.”


Not for long.


The first person to reply was Bata, who taught physical education to Roscoe’s younger sister. Bata and Roscoe had exchanged political banter before.


His reply: “Rape culture is a myth [social justice warriors] created.”


The social media downward spiral was on.


Bata brought up the Duke lacrosse and University of Virginia rape scandals. In both cases, the accusers were found to have lied.


“Gender activists created the Duke lacrosse, UVA, and other false rape scandals. Making it harder for actual rape victims to be heard. … How hard is it for some men. Do you really think the US, men or college campuses are pro-rape or promote immunity for rape?”


“I love hearing different perspectives, and I think he does, too,” Roscoe said. She leans left. He’s a Libertarian, espousing a political philosophy that is generally skeptical of political and economic systems. “We usually just have good political conversations. He’ll say these are three reasons why you’re wrong, I’ll say here are three reasons why you’re crazy — things like that … This is the first time things really went negative.”


The problem, Roscoe said, was not Bata’s opinion. She and her Facebook friends took issue with what they saw as his flippant dismissal of the crime of rape. Friends who have been victims of sexual assault have been approaching Roscoe for weeks, telling her Bata’s comments burned.


Perhaps the worst comment came nearly two weeks after the initial post. Bata had been going back and forth with a man named Juan Carlos Gomez and a few others for days.


“Why are you so dead set against seeing the reality women live through on a daily basis?” Gomez asked. “Is the reality that women you care about go through this too much for you to handle? Or can you be so arrogant to think that only your life experience is valid?”


“Make America rape again,” Bata replied shortly after.


A day later, Bata’s opponent for insurance commissioner, Ruth Buffalo, seized on his comments and put out a news release.


“The people of North Dakota deserve an Insurance Commissioner who has an appropriate temperament for the office, and who is compassionate to victims of sexual assault. These comments are completely unacceptable. We call upon Mr. Bata and the Libertarian Party of North Dakota to apologize and recant these statements.”


The Libertarian Party did not return phone messages left Saturday.




Republican presidential nominee Donald Trump mocked Jessica Leeds, who accused Trump of putting his hand up her skirt on an airplane decades ago during a rally in Greensboro, N.C. (The Washington Post)


The comment was made while the “Make America great again” candidate Donald Trump is at the epicenter of a growing national discussion about consent. The Washington Post published a 2005 video of Trump bragging to “Access Hollywood” host Billy Bush that he could grope and kiss women without their permission because he was a celebrity. A few days later, during the presidential debate, he told Anderson Cooper he had never touched a woman without her consent. Since then, a series of women have come forward saying yes, Trump had.


In a Saturday tweet, Trump called the allegations “100 percent fabricated and made-up charges, pushed strongly by the media and the Clinton Campaign.”


Prompted by the controversy, thousands of people have shared stories of being sexually assaulted on social media using the hashtag #NotOkay.


Roscoe said that’s why she went public about Bata’s acerbic comments on her Facebook page — because he’s asking people to elect him to a public office.


“I think the voters need to know about this,” she said. “It speaks to a temperament and a perspective. I’m not endorsing or demonizing him, but this is the thing that should be looked at when you’re thinking who to vote for.”


He said he believes the attention is overblown for what amounts to a Facebook comment.


“I made that comment as an individual. This has nothing to do with the party,” he said. “…I regret that we live in a society that is so worried about not offending anyone and less interested in intellectual inquiry and diversity of opinions.”


Read more: 


This GOP candidate’s plan to woo black voters? ‘Kool Aid, KFC and watermelons.’


‘Learn your manners,’ a white man wrote to his black neighbor. This was the response.


Yesterday’s Ku Klux Klan members are today’s police officers, councilwoman says


Is voting for Hillary Clinton a symptom of low testosterone? This Florida doctor says, yes.


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Box Office: Ben Affleck's 'The Accountant' Adds $9M Friday, 'Kevin Hart: What Now?' Nabs $4.7M - Forbes

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Forbes

Box Office: Ben Affleck's 'The Accountant' Adds $9M Friday, 'Kevin Hart: What Now?' Nabs $4.7M
Forbes
Speaking of star power, Kevin Hart gets… oh, at least 99% of the credit for what will be a solid debut for his third theatrical stand-up comedy release. Kevin Hart: What Now? opened in 2,567 theaters yesterday with a solid $4.755 million gross ...
Weekend Box Office: Ben Affleck's 'The Accountant' Targets Strong $25M DebutHollywood Reporter
Box Office: Ben Affleck's 'Accountant' Nearly Doubles 'Kevin Hart: What Now?' on Thursday NightVariety
'The Accountant' Accumulating $25M+; Audiences Assess Affleck Movie With An 'A' CinemaScore – Saturday AMDeadline
ABC News -Milwaukee Journal Sentinel -Box Office Mojo
all 800 news articles »


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